In addition, the course will cover the tone scale and colour modifications that impart the ?film look,? and the roles of camera controls (gamma, knee, slope) and 1D and 3D lookup tables in achieving these modifications.San Francisco Bay Area Program Supervisor, Short Term Services at Seneca Family of Agencies Mental Health Care Education New York University 2007 - 2009 MSW, Social Work Tulane University 1989 - 1993 BA, Spanish, English Northfield Mount Hermon School 1986 - 1989 Brearley School 1975 - 1985 Experience Seneca Family of Agencies September 2014 - Present Seneca Family of Agencies July 2013 - September 2014 Seneca Family of Agencies July 2012 - July 2013 Seneca Center February 2011 - July 2012 Seneca Center July 2009 - January 2011 Bronx Regional High School, DOE September 2008 - June 2009 New York Foundling September 2007 - May 2008 Rebuilding Together Peninsula June 2002 - August 2005 YFA (Youth & Family Assistance) September 2001 - June 2002 Plesser Holland Associates 2000 - 2001 Skills Counseling, Mental Health, Case Management, Group Therapy, Adolescents, Crisis Intervention, Treatment, Family Therapy, Psychotherapy, Interventions, Mental Health Counseling, Social Services, Therapists, Event Management, Public Relations, Play Therapy, Motivational., Marketing Show more He will describe the zone system, and discuss what aspects of that system are valuable in connection with digital acquisition. Poyton will discuss logarithmic coding, camera sensitivity and ISO/EI ratings. How many stops of exposure latitude does a digital camera offer? What exposure index should be used? What is the?film look? and where should it be imposed? Why does noise arise, and what can be done to minimize it? Should I record and process ?log? or ?linear? Is there one kind of ?log? and one kind of ?linear,? or are those terms ambiguous? Is it valuable to have an on-set display? Where do the LUTs go, and who should determine their content? Under what conditions is on-set colour grading useful? Leading the course is the incredibly knowledgeable Charles Poynton, who will discuss color and digital cinema acquisition in a manner that?s accessible to cinematographers, colourists, and related craftspeople. Digital imaging technicians (DITs), digital intermediate engineers, and technicians are also centrally involved. Title: FXPHD – DCT301 Camera Tech and Colour ScienceĬamera operators and assistants, colourists, visual effects supervisors and artists, and others are making the transition to digital acquisition.